Maureen’s Gallinero Artists’ Cabin Gets Freshened Up

Autumn Upgrade for a Special Guest

You never notice how badly a place needs painting until you paint it. Though in our case it isn’t paint, it’s whitewash. That was the traditional way of painting houses inside and out in the Spanish pueblos. That’s changed now, of course. All homes are painted with plastic paint. In truth, I can’t imagine living inside a plastic bag, and Mike agrees with me. So we do whitewash. It kills all bacteria and leaves the house sparkling and with a unique clean aroma.

What’s the occasion? The “occasion” is Iram Wani, a wonderful Pakistani printmaker and art educator who is arriving from Islamabad on the fourth of October, the day after tomorrow. Besides staying in the Gallinero she’ll be working with me in the studio for a month. This will be Iram’s second visit. She came here for a two-week working holiday about five years ago. As is usually the case with keen artists, it was more work than holiday, and she left with a bundle of lovely prints.

Here’s a few photos Mike made yesterday so you could see the new look, which includes some smashing new bookshelves, a gift from my dear friend, Ana María.

Thanks for following, commenting and, particularly, sharing.

P.S. For more information about my studio and courses–including one-to-one artist’s coaching, have a look at my other site: http://printmakingcoursesinspain.com.

Our Village Featured on Andalusian TV as a Model Good-Life Pueblo

A team from Canal Sur, the Andalusian regional television channel, dropped by my studio on a tip from my neighbors to include me in a program they’re producing on the best, healthiest places to live in Andalusia (that’s Spain’s eight most southernmost provinces, including Granada). Our pueblo, Pinos Genil definitely fills the bill. It has improved physically a lot over five decades, but its people are still the salt of the earth. We have found it an ideal place to live since we arrived here in the fall of 1969. The proof of the pudding is that we never left.  These are the photos Mike took while the television kids were in my studio. Isabel, the presenter, thought it would be fun to interview me while I was painting, so I painted her.

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Serious Springtime

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I can’t resist posting this photograph Mike made the other day from the Gallinero’s little sun-moon and stars terrace. It’s been a wonderful springtime thus far with the mourning doves romancing high in the cypress trees and the bumble bees buzzing round the wysteria bush sucking nectar. The garden is surging and the summer terraces of the bars and restaurants are beginning to thrive.  Everyone agrees. It’s a great time to be alive in Granada.

Danish Artist Sif Nielsen Parks Her Longboat by the Gallinero for Three Weeks

What to do while your partner is doing a month-long professional navegation course in Gibraltar?
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“I didn’t feel at home on the Costa del Sol so after a week I googled ‘printmaking courses in Spain,'” says Sif, “and up popped Maureen.” (Why “Sif?” Because in Norse mythology Sif was the wife of Thor.)

Sif, studied architecture but never practiced. “I just wanted to be an artist,” she says apologetically. She currently lives on an island in the Hebrides, off the west coast of Scotland, Sif spent most of her time with us drawing and exploring. After her first two weeks she decided she would like to stay a bit longer. During that time she helped me print up some plates for a commission. We sometimes went entire days without seeing her. The Spanish call this reflexive state “ejercicios espirituales,” “spiritual exercises.”

One day Sif said to Mike, “Would you mind if I used some of your firewood to make  a sculpture?” We didn’t know what to expect. You can see the delightful result in the photograph above.

“This has been a unique experience, “said Sif as she was leaving. “Although I’ve done lots of printmaking courses, there’s still so much I need to learn about printmaking and Maureen is the one who can teach me. And I love the Gallinero. I’ll be back.”

 

We Take a Morning Walk in the Evening

We Put a New Twist on a Familiar Sierra Nevada Hiking Path

We usually walk in the morning. It’s cooler and the air is clearer. The pictures Mike published here a couple of weeks ago were made on this same walk, but in the morning. In the evening it’s different, but equally delightful. The color of the evening light is warmer and the later it gets the rays of the sun slant through the trees and across the hills at a low angle. We were surprised that, though it’s only half an hour’s drive up the hill from our house, and we walked for less than an hour and a half, when we came back to the bar at the bottom we felt we’d had a holiday.

Here are the pictures. (P.S. The last photo is of our house, my studio and the Gallinero from across the valley of the River Genil. The scene looked so serene as we were driving home that Mike stopped and shot the picture.).

 

A Morning Walk in Sierra Nevada’s Mid-Mountain

It’s late August so it’s hot. If you start out on a hike at nine by twelve or one you’ll wish you’d stayed home. But here in Granada the climate not only varies by latitude–the farther south you go the warmer it gets–but by altitude: the higher you go the cooler it gets. This is because Granada has Sierra Nevada, a mountain range that rises from some 700 meters of altitude–Granada’s marvelous tourist attraction, the Alhambra fortress and palace is actually built on one of the last spurs of Sierra Nevada–up to the 3,400 meters of Mulhacen, mainland Spain’s highest peak.

So, the other morning Mike and I jumped in the car at 8:00 a.m. and drove 20 minutes up the Sierra Nevada road to a place called “El Desvío” (“The Detour,” as it’s where the old road divides from the new one) at 1,800 meters of altitude. In one of the bars congregated there  we had breakfast–leche manchada con media tostada de aceite y tomate, milky coffee with half a toasted Vienna roll, virgin olive oil and grated tomato, and set off on foot along a gravel trail that leads to a remote convent five kilometers up the road. We didn’t make it to the convent but we enjoyed a delicious hour and a half hiking along the road. We took our dog, Cuca, with us. She also needs a workout.

During the whole time we only saw one car and a handful of hikers, a real luxury. We enjoyed immensely the gently rising and falling trail, the stunning mountain views and watching Cuca hunting little skink lizards. She never catches one. Best of all was the temperature, never going beyond23 or 24º. Here is a selection of the pictures Mike made on the walk.

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Maureen Booth, August 2016

A Visit to the Alhambra with the Neighbors

On the Bus! We’re Off to Visit the Alhambra with the Neighbors from our Village

Pinos Genil, June 2017–Everybody agrees that the Alhambra in Granada is a worldwide wonder. And it’s ours. It lies in the same Sierra Nevada foothills  as our village, Pinos Genil, which is just 15-minute drive away from the monument. Nevertheless, we seldom visit the Alhambra. We take it for granted. We can go some other day. So it was a nice incentive when Elisa, the culture delegate from our town hall, organized a tour for the people of our village a couple of Saturdays ago.
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Such is our complacency here in Pinos that we only managed to fill 28 places of a 55 seat bus. The other 27 missed out on a smashing excursion. It’s a shame because the “new” Alhambra is an authentic marvel that shines as never before (at least in the past 500 years). Apparently this has to do with the fact that all the money earned from the millions of people who visit the Alhambra each year is re-invested in the monument.  And our guide was a polite, cultured and patient young man, a bonus.
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The Alhambra appears to have grown since I last saw it a couple of decades ago. Every visibile aspect of the monument has been lovingly renovated and areas once closed to visitors have been revamped and opened up. Everything shines, including the extensive gardens (El Generalife) which are impeccably kept. There are even some new excavations.  Both the Palace of Charles V (Palacio Carlos Quinto) and the church of Santa María de La Alhambra (two massive buildings that were constructed by the Christians when they culminated the Reconquest and expelled the Moors in 1492) have been had their exteriors beautifully renovated.

Note to travellers. Everything about the Alhambra is so large and so labyrinthine that you can get lost in there. (N.B. If you get lost inside the palace don’t try to trace your way back to the entrance. If you do manage to find it they won’t let you out. You have to turn around and go back through the maze till you find the proper exit. Which you won’t find unless you manage to encounter a compassionate employee to guide you out. Definitively, getting separated from the group converts a visit to the Alhambra into adventure tourism.
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Here are the photographs:

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Mila Galán — Looking at the Past

Mila Galán, a teacher from Badajoz in Spain’s western region of Extremadura who works in three languages (Spanish, English and French) left yesterday after a week’s solarplate and liquid metal workshop in my studio. What was refreshing about working with Mila was that she arrived with a clearly conceived project. She wanted to capture in prints some aspects of her own early life and that of her family. She based her work on a collection of black and white and sepia photographs from her family album, but not in the usual “photocopy the photograph” solarplate mode. Mila rendered her photographic memories in freehand drawings on acetates, which we then burned onto solar plates. “I wanted to do homage to my grandparents, including some text from my grandfather’s letters to my grandmother,” says Mila. “And I wanted to acknowledge the things I’ve learned from my father and my mother. Doing so has given me a tremendous feeling of fulfillment.”

The last photograph in this brief album shows some of Mila’s results. I like very much what she achieved.

Come back and see us when you can, Mila.

Susan and Maryanne Change Plans

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They planned their Spanish holiday months in advance. California printmakers Susan Lyon and Maryanne Nucci wanted to include a visit to Maureen’s studio in Granada, and stay for a few days in her Gallinero artists’ cabin, though they wouldn’t have time to do any printmaking. What little time they had available to spend in Andalusia would be in Seville and Granada and “visiting the olive-oil regions” (Maryanne’s business at home is an Italian restaurant, so she is an olive oil connoisseur.)

That was the plan. But when they arrived and saw Maureen’s studio and the work she was turning out there–after the usual How-did-you-do-that?! moment–they changed their plans and decided to get their fingers inky. Luckily they had both already seen the Alhambra on previous visits to Granada, because they spent the full four days they were here hard at work creating and printing solar plates.

They left delighted with the results they had achieved, anxious to get back to California and enjoy some “How-did-you-do-that?! moments of their own.

Susan Lyon and Maryanne Nucci–California girls from the Monterey area–spend four “stolen” days in the Gallinero and working with Maureen in her studio.

The New Improved Gallinero Kitchen/Herb Garden

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It’s blossom time. I think I’ve told you about converting the little irrigation reservoir/swimming pool outside the front door of the Gallinero into a kitchen/herb garden, and how gratifying it was. 

Last winter we got a neighbor to tip a couple of lorry loads of fresh soil on top and Mike prepared it with leaf mulch and sheep manure (the fertilizer of the gods…) In his enthusiasm he planted the plants a bit close together and then added two varieties of squash plants. Result: Amazonia. We can hardly get in there to pick the fruit. Still, it’s a lot of fun and we’ve been eating lettuce, onions and zucchini for weeks and we ate our first tomato yesterday. Such an event!

Meanwhile, in the end if we get some lovely butternut squash it will all have been worth it!

In the photo gallery that follows you can see some of the herbs in the garden. By the way, everything in the Gallinero garden is at the disposal of the artists who come here to work with me.