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Posts Tagged ‘taller de grabado’

Chicago Girlz Set New Production Benchmarks for Work in Maureen’s Studio

The Chicago Girlz at work with Maureen Booth in her Granada printmaking studio.The Chicago Girlz (our affectionate nickname), an extraordinary trio of printmakers made up of Deborah Lader, founder and director of The Chicago Printmakers Collaborative, her mother Carol Lader and Carol’s sister (Deborah’s aunt) Janet Imerman, have set new benchmarks for printmaking zeal in my studio. These remarkable young people stepped off the Chicago-Granada flight (Janet was actually coming straight through from Los Angeles) at midday last Monday, put down their bags in the Gallinero, rested for a whole hour and then proceeded to my studio to begin making prints. And that was the pace they maintained for the rest of the week, till we put them on the bus to Madrid this morning. I never saw such printmaking  joy and fervor. Most nights they were in the studio until past midnight. It was a challenge to keep up with them.

They had never done solar-plate prints before, and were anxious to immerse themselves in the techniques and get a grip on them once and for all. This was particularly true for Deborah, who wanted to determine whether solar plate was something she should be offering in her Chicago Printmakers Collaborative open studio at home. She concluded that it was. Read more…

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Brenda Eubank-Ahrens and Her International School of Bremen Art Students Spend Three Intensive Days Working in The Gallinero and Maureen’s Studio

Brenda Eubank-AhrensBrenda visited Maureen’s Pomegranate Editions a year ago (thanks to their mutual friend, Alice Doeldissen) and when the tour was over Brenda asked Maureen if she could create a workshop the following summer for  a dozen or so of her 17-year-old art students from the International School of Bremen. The answer was yes, and the  the group has just spent three intensive days working with Maureen in her studio and El Gallinero learning solar-plate etching techniques. The artistic level of these 17 year olds was remarkably high, and that coupled with their enthusiasm made for some interesting results (see photo presentation below).

Their school has recently joined the prestigious International Baccalaureate program, and this was a select international group of students. Many of them were from Bremen and other parts of Germany, but other countries were represented, as well: the U.S.A., Mexico, Poland… As everyone knows, printmaking makes one hungry, so when the morning’s work was finished all the students, along with their two monitors, Brenda and Frankie, sat down to a hearty Spanish-style lunch at the picnic table on Maureen’s terrace.

Here is a selection of  photographs which will give you an idea of what their visit was like:

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Maureen Featured in California Society of Printmakers Newsletter

California Society of Printmakers Newsletter

Barbara Milman, an ex president of the California Society of Printmakers was here recently making solarplate prints with Maureen in the studio. When she got back home she published this report on the society’s newsletter. Thank you Barbara, for the plug! Here’s the link: http://caprintmakers.wordpress.com/

Barbara Milman Leaves Today

Barbara Milman at work in Maureen Booth's studio in GranadaGranada, April 29, 2011–It’s 9:00 a.m. and we’ve just finished signing the last of her prints. She and I are both delighted with what she’s achieved over the past week. Barbara, a longtime resident of the San Francisco area–and ex-president of the California Society of Printmakers–had never done any solar-plate printmaking before, but it didn’t take her long to see the light.

An exceptionally focused artist–“I came here to make prints, not to do tourism.”–Barbara dedicated the first couple of days to mastering the basics. Then on the third day she produced an exceptionally lovely solar print, then another, then a whole series of them.

We’re going to miss her as, besides being a fine artist, she’s good people with interesting ideas and charming conversation. I’m including here an album of photographs which Mike made during Barbara’s stay in the Gallinero.

Small World, Milanese Connection, First Writer

Our old friend, Barbara Mason (from the Atelier Meridian in Portland, Oregon), was kind enough last summer to recommend my etching workshop to a friend called Mary Marjerrison. Mary showed up a couple of weeks ago with her friend, the author, Nancy Tomasetti, the Gallinero’s first writer. Did they come from Oregon? No, they came from Milan, Italy, where they both live. It’s a small world. Hence the silly title of this post.

Mary Marjerrison in Maureen Booth's printmaking studioMary, who works in administration at an international school in Milan was able to rob a week for printmaking thanks to the very civilized Italian tradition of the “Settimana bianca,” a week off school in March. Perhaps it’s because she was previously an art teacher, or because of her high energy level (How many grandmothers do you know who run marathons?), but Mary got straight down to work, preparing her solar-print acetates in the Gallinero in the evenings and showing up each morning prepared to burn the images onto plates.

Perhaps her efficiency in the studio also had to do with the fact that she didn’t have a lot of experience with solar plates and was eager to learn. It’s often more difficult to work with people who already know a lot about the subject. Maybe that’s why the Chinese say, “Before you can fill a glass it must be empty.” I think she made more successful prints in one week with me than most artists make in two. Even so, Mary insists that she didn’t have enough time and that she needs to come back and do some more work as soon as possible. That’s excellent news.Maureen and Mary in the studio

While Mary and Maureen were in the studio all morning every
morning, Nancy stayed ensconced in the Gallinero with Nancy Tomasetti working in El Gallineroher feet up by the fire and her laptop on–you guessed it–her lap. The first thing they did when they arrived was to reorganize the furniture in the kitchen, relegating the little Spanish-style kitchen table with the brasero (brazier) under it to a rear corner, dragging the old coffee table out of the pantry and swiveling the sofa around so it faced the wood stove. (It worked well; we left it that way.)

Nancy is from New York but studied in Wisconsin. She still has a house on the shores of Lake Michigan, and goes back there ever summer to spend time with old friends and family.

Besides working on her latest short story, Nancy, who had never visited the Alhambra, took a morning off work to see Granada’s–and one of Europe’s–prime tourist attractions, and one of the few which actually lives up to its advanced billing.

In all, I couldn’t have hoped for a more rewarding visit from these two Milanese-American artists. I hope they do make it back sometime.

What’s a Gallinero? Why Should You Want to Stay There?

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Interior of El Gallinero, Maureen Booth's artist and writers' residence in GranadaA “Gallinero” in Spanish is a Chicken Coop

We called our new artists’ and writers’ residence “El Gallinero” because it’s located where our chicken house used to be. Sometime after the chickens had an unfortunate encounter with a weazel, we built my first painting studio there in the mid-70’s. When I got my new etching and painting studio 10 years later, the old one was relegated to storeroom status, and deteriorated over the years.

For a long time I’ve needed a place to accommodate the artists who come for my summer etching workshops and those who come to do collaborative work during the rest of the year. Then last fall we decided to get started on it. The plans were a bit vague: re-roof and restore the original studio, add a kitchen/living area in the available space behind it, and a little terrace with a view off the kitchen.

“Why Does This Casita Have to be Limited to Artists?”

Luckily our village builders are tolerant and creative, and they signed on for the project. Little by little the new artists’ residence began to take shape.  We were delighted with the results, achieved in spite of five straight weeks of record monsoon winds and rains during the building work. At one point someone said, “Why does this casita have to be limited to artists? Wouldn’t writers appreciate it’s spaciousness, tastefulness and tranquil setting, too?”  That’s how the Gallinero became an “artists’ and writers’ refuge.”

We’re Open for Business

We have now begun to accept reservations. Please take a look at the information and photographs in the pages of this site and see if you don’t think a shorter or longer stay in the Gallinero might not get your creative juices flowing. Of course, the appeal of this residence is not limited just to its own spaces and installations. It’s located in Spain, at the edge of a village nine kilometers (an easy 15-minutes) from the historical Andalusian city of Granada with both the Sierra Nevada ski resort and the Mediterranean shore within a 45-minute drive. If you haven’t been to Granada yet, it’s about time. If you’ve been here already, you know why you’ve been yearning to come back.

The Spanish say, “Todo es ponerse.” A rough English translation: “Just go for it!”

Exterior of El Gallinero, Maureen Booth's artists' and writers' residence in Granada